Advanced Search

Used Mackie TT 24 Digital Mixer


Print  Print Brochure
Share  Share This


Dirt Cheep Discount

SALE PRICE: $450.00

in stock and ready to go!

A great-sounding, automated, digital live sound mixer with a shallow learning curve.

The Mackie TT24 Digital Live Mixer is a fully digital 24-bit/96kHz mid-sized console which gives engineers full automation and recall of levels, EQ, effects, routing and more. Unlike other affordable digital consoles designed primarily as recording desks, the TT24 mixer puts gobs of standard analog and digital I/O right on the rear panel. Not to mention, it's far easier to learn and use by the average live sound engineer.

Bustin' with analog i/o! 

Affordable digital consoles have historically been developed as production mixers, with live features added as an afterthought. As such, they are notoriously limited in terms of mic channels and outputs. The TT24's rear panel, however, is bustin' with analog I/O: 24 mic/line channels, 8 line inputs, 2 CD/Tape inputs, Talkback Mic input, L/R & C (mono) Main outputs, 12 Auxiliary sends, and 8 Group/Matrix outputs. Of course, you can also expand the TT24 using optional I/O cards, and even link two consoles together for a mondo 48-fader/72-input/96-channel version.

DSP where you need it 

The TT24 team spent a great deal of time figuring out a way to access and apply all of the TT24's onboard DSP power in a way that's practical, intuitive, and fast enough for live sound. All 24 mic inputs all have 4-band EQ, Comp/Limiter, and Gate available within two button presses; and the 8 line inputs have the 4-band EQ as well. So by installing a TT24, you can say goodbye to your bulky, expensive rack of outboard dynamics processors and equalizers forever.

Flex Groups: A TT Exclusive! 

The TT24's Flex Groups consist of 8 groups individually configurable as mono, stereo or VCA-style groups with dedicated group faders. You can tailor these groups specifically for your application, whether its traditional analog-style Mono groups, Stereo groups on a single fader, or VCA groups--a feature not available on any console, digital or analog, at this price. Of course, the Flex Group faders are in addition to the 24 channel faders to avoid bank switching during normal operation.

Aux Mode: Instant monitor console! 

Using Aux mode, the Mackie TT24 mixer can be turned into a full-featured professional monitor console with a single button press. (To make things easy, the Aux Mode is the only blue button on the console.) In Aux mode, the TT24 channel faders become Aux Send levels, while Group faders become Aux Send masters. This makes the TT24 a great front-of-house console or an ideal monitor mixing console depending on your application.

What is Matrix Plus? 

This is where things get jiggy. The TT24's Matrix Plus is a type of digital patching not possible with analog consoles. Basically, it lets you patch any source into the Matrix, providing you with additional sub-mixes for cry rooms, green rooms, broadcast, recording and monitoring. So the next time you need to run another mix, it's not a problem .

TT Control Software

The TT24 ships with Mackie's powerful TT Control software, which can be used to control and monitor the console using a laptop or desktop PC. Once connected via a single USB cable, TT Control software provides a large, full-color view of the TT24's touchscreen. In addition to providing a larger view, the TT Control software's interface was designed with daylight usage in mind (i.e. black lines on white backgrounds or bright yellow text on black backgrounds). In default setting, the TT24 mixer's LCD screen is mirrored in the in the software, making it easy to keep your hands on the control surface with your eyes on the computer monitor. But the software can also be set up to operate independently of the console if a second engineer is working. Additionally, TT Control allows for convenient file saving and firmware upgrades via PC. 24-bit/96kHz digital mixing console purposely designed for live applications 99 snapshots instantly recall levels, dynamics processing, EQ, routing, mutes, etc.

  • 24 mic/line inputs with 4-band Parametric EQ/Comp/Gate/Variable HPF standard
  • 8 Line inputs with 4-band Parametric EQ (stereo linkable)
  • Onboard 24 x 24 digital ADAT Optical I/O; 2 x 2 Stereo Digital I/O (SPDIF or AES) 2 Stereo Analog Inputs (RCA and 1/4")
  • Quick Mix section featuring 5-inch touchscreen LCD, 12 knobs and 8 buttons provide fast access to primary live mixing functions
  • 24 x 100mm motorized faders with full recall, as well as 4 x 100mm motorized Group Faders and a dedicated motorized Master Fader
  • 24 multi-function V-Pots with metering
  • 12 Aux sends with 6-band EQ, including dual Kill filters and Comp/Limiter (stereo linkable)
  • Left/Right/Center (Mono) outputs with 6-band EQ, including dual Kill filters and Comp/Limiter
  • TT Control software for operational monitoring and console control via desktop or laptop PC and single USB connection
  • Aux Mode for instant conversion into monitor console
  • 11 x 8 Matrix Plus allows patching any desired signal into the matrix
  • 99 user presets for Venues, Eqs, Dynamics, Channel Strips, and EFX
  • Mic Preamp:
  • Frequency response: +0, -2 dB, 10 Hz to 20 kHz (Mic In to Insert Out)
  • Distortion: (THD + N) < 0.003% @ +20 dBu output, 20 Hz to 20 kHz
    (Mic In to Insert Out)
  • Noise: 20 Hz to 20 kHz BW (150ohmssource impedance)
  • Equivalent Input Noise (EIN): ”128 dBu
  • Residual Noise: ”103 dBu (Mic In to Insert Out @ 0 dB gain)
  • Common Mode Rejection Ratio (CMRR): >60 dB @ 1 kHz, gain @ maximum (Mic In to Insert Out)
  • Rise Time: < 3 ms
    Slew Rate: 3.6 V/ms
  • Input Gain Control Range:
  • Mic In: 0 dB to +60 dB
  • Line Inz: ”20 dB to +40 dB
  • Phantom Power: 48 VDC
  • Input Impedance:
  • Mic Input: 2k ohms, balanced
  • Line Input: 10K ohms
  • Aux Returns, CD/Tape A and B: 10K ohms
  • Maximum Input Level:
  • Mic Input: +22 dBu
  • Line Input: +22 dBu
  • Aux Returns, CD/Tape A and B: +22 dBu
  • Output Impedance:
  • L/R/C-Mono, Group/Matrix Out: 150 ohms
  • Aux Send, Monitor Out: 150 ohms
  • CD/Tape A and B Out: 600 ohms
  • Maximum Output Level:
  • Insert Out: +22 dBu
  • L/R/C-Mono, Group/Matrix Out: +26 dBu
  • Aux Send, Monitor Out: +21 dBu
  • CD/Tape A and B Out: +22 dBu
  • Phones Out: 500 mW into 100 ohms
  • Frequency Response (Gain at unity):
  • Mic Input to Main Output:
  • +0, ”1 dB, 10 Hz to 20 kHz @ 44.1 kHz
  • +0, ”2 dB, 10 Hz to 40 kHz @ 96 kHz
  • +0, ”0.5 dB, 14 Hz to 27.5 kHz @ 96 kHz
  • Distortion (THD + N):
  • Mic Input to Main Output:
  • < 0.02% @ +4 dBu input, 44.1 kHz, 10 Hz to 20 kHz
    < 0.03% @ +4 dBu input, 96 kHz, 10 Hz to 20 kHz 
  • AES Input with SRC to AES Output:
  • < 0.0002% @ ”10 dBFS input, 44.1 kHz, 10 Hz to 22.05 kHz
    < 0.0006% @ ”10 dBFS input, 96 kHz, 10 Hz to 48 kHz 
  • Signal to Noise Ratio: ”78 dBu (ref. +4 dBu Mic In to Main Out)
  • Dynamic Range: 101 dB (Mic In to Main Out)
  • Maximum Voltage Gain: 96 dB (Mic In to Main Out)
  • Crosstalk:
  • Adjacent Inputs: ”110 dB @ 1 kHz
  • Adjacent Main Outputs: ”95 dB @ 1 kHz
  • Adjacent Aux Outputs: ”115 dB @ 1 kHz
  • Faders:
  • Type: 100 mm motorized, movement sensitive
  • Resolution: 128 steps
  • Sampling Frequency: 44.1, 48, 88.2, 96 kHz (Internal and External)
  • Digital Signal Processing: 32-bit floating point resolution
  • Propagation Delay (Mic In to Main Out): < 3.8 ms @ 44.1 kHz
    < 1.7 ms @ 96 kHz 
  • Word Clock Input:
  • Minimum Level: 0.4 V p-p
  • Duty Cycle: 50%
  • Impedance: 75 ohms
  • External Word Clock Lock Range:
  • 44.1 kHz = 42.5 kHz ” 45.8 kHz
  • 48 kHz = 46.4 kHz ” 49.4 kHz
  • 88.2 kHz = 85.0 kHz ” 90.7 kHz
  • 96 kHz = 92.2 kHz ” 98.2 kHz
  • Word Clock Output:
  • Open Circuit Level: 5 V p-p
  • Duty Cycle: 50%
  • Impedance: 75 ohms
  • AES Input (IEC-60958-3):
  • Sample Rate with SRC: 32 kHz ” 96 kHz
  • Sample Rate without SRC: System sample rate exactly
  • Maximum Level: 0.4 V p-p
  • Impedance: 110 ohms, transformer coupled
  • AES Output (IEC-60958-3):
  • Sample Rate: System rate or switchable half system rate
  • Level into 110 ohms: 5 V p-p
  • Impedance: 110 ohms, transformer coupled
  • S/PDIF Input:
  • Sample Rate: with SRC 32 kHz ” 96 kHz
  • Sample Rate without SRC: System sample rate exactly
  • Minimum Level: 0.4 V p-p
  • Impedance: 75 ohms
  • S/PDIF Output:
  • Sample Rate: System rate or switchable half system rate
  • Level into 75 ohms: 0.5 V p-p
  • Impedance: 75 ohms, transformer coupled
  • General:
  • AC Power Requirements: 100”240 VAC, 50”60 Hz, auto-switching
  • Fuse: 6 A/250 V
  • Operating Temperature: 10oC”40oC (50oF”104oF)
  • Physical Dimensions:
  • Height: 10.4 in/265 mm
  • Width: 42.6 in/1083 mm (including handles)
  • Depth: 25.0 in/636 mm
  • Weight: 71.0 lb/32.2 kg



Writing reviews helps other Dirt Cheep peeps make good decisions.

Privacy Notice

Entire contents Copyright © 2003-2018 Dirt Cheep Music. All Rights Reserved.

Dirt Cheep Music does not accept liability for incorrect spelling, printing errors (including prices), incorrect manufacturer's specifications
or changes, or grammatical inaccuracies in any product included on the Website. Prices subject to change without notice.

Powered by purposeful modesty. Yep.